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Despite the Delhi setting, Soni’s observations of inequality transcend borders. Both women battle routine sexism and bureaucratic headaches, and the cases they get often involve crimes against women. The film follows two women who work for the Delhi Police: Soni (Geetika Vidya Ohlyan), a young police officer with a penchant for not taking crap from people, and her supervisor Kalpana (Saloni Batra).

Will farell throwing moneymoney movie#

Soni is a movie about a society that devalues women on a systemic and personal level. More surprising is that the movie feels almost like a play at moments, with certain scenes stretching on for a half an hour at a time. The performances, writing, and directing are all immaculate. Aldo Raine: “I think this just might be my masterpiece.” Inglourious Basterds is a cinematic declaration for the ages. He says as much himself with the film’s winking last line, delivered into camera by Brad Pitt’s Lt. But Inglourious Basterds just might be his best.

Nor is it his most stylish (the Kill Bill films), his most socially conscious ( Django Unchained), his most tightly scripted ( Reservoir Dogs), or even his longest ( The Hateful Eight). Nor is it his most fun (that would probably be Jackie Brown). Inglourious Basterds may not be Quentin Tarantino’s most iconic film (that would be Pulp Fiction). It’s undoubtedly one of the greatest movies of 2018, destined to live on as a highlight of Cuarón’s career. It’s a moving autobiographical drama about a young woman who works as a housemaid for a wealthy Mexican family, based on Cuarón’s beloved childhood nanny. Inspired by his childhood in 1970s Mexico City, Roma is the latest film from visionary writer/director Alfonso Cuarón ( Gravity Children of Men). Thrilling, funny, and heartbreaking, The Aviator is a triumph of historical cinema. Led by Leonardo DiCaprio as Hughes, The Aviator explores the eccentric billionaire from his days making groundbreaking movies to his revolutions in airplane technology. The Aviator sees the director stepping away from crime to tell the painstakingly recreated life story of Howard Hughes. Martin Scorsese’s eye for detail has developed him a reputation as a master of mob movies, but he brings that eye to every production. Instead of relying on tired tropes to fill in the gaps, Into the Spider-Verse gives us everything we need to love and understand Miles: A satisfyingly personal story, embedded in a uniquely energetic visual experience. The combination of CG and hand-drawn animation is revolutionary, and the film is self-referential without being smug. It’s a fresh and funny new take on Spidey’s origin story, focusing on Miles Morales (Shameik Moore) with a supporting cast of Spider-people like Peter Parker and Gwen Stacy (aka Spider-Woman). Spider-Man: Into the Spider-Verse is easily one of the best superhero films of the past few years, standing alongside Black Panther in terms of visual imagination and joyfully innovative use of the source material. 4) Spider-Man: Into the Spider-Verse Sony Pictures If you haven’t seen it, I just have one question for you: “What… is the air-speed velocity of an unladen swallow?” -C.O. From “I fart in your general direction” to “It’s just a flesh wound” to “We are the Knights who say… NI,” the movie’s absurdism is second to none, and set the tone for cinematic comedies for years to come. 3) Monty Python and the Holy Grail Month Python/YouTubeīritish comedy nerds will tell you Monty Python and the Holy Grail is the funniest movie ever made, and they’re probably not wrong.

Netflix may have recently dropped The Godfather, but as far as uneven, classic franchises go, at least they gave us Indiana Jones in return - C.O. Yet it’s hard for any of them to compare to Raiders, the original staple of what a modern action/adventure film should be. Is there a better Stephen Spielberg movie than Raiders of the Lost Ark ? Indiana Jones movies have kind of worked on an every-other pattern, so given that logic, we’re due for a good one soon. 2) Indiana Jones and the Raiders of the Lost Ark Movieclips/YouTube The fun of Final Destination, and most of its sequels, are the Rube Goldberg death scenes, which tease and taunt the audience as much as the characters. But death has a plan for everyone, and the survivors begin dying in increasing convoluted ways. While Alex is unable to prevent the tragedy, he is able to get some people off the plane. This first movie kicks off, memorably, with Alex (Devon Sawa) having a premonition of a horrific plane accident. The Final Destination films don’t quite get the recognition they deserve, especially grading on the horror movie curve.